Then again, it's a fairly hefty machine, so results on laptops and other systems might vary. I've been playing around with 1080p ProRes 422 and h.264 DSLR footage on a maxed-out 5K iMac, jumping back and forth between the color and edit workspaces, and it seems to run smoothly. By many accounts, playback can get choppy with certain media types, especially once you start adding transitions and color correction nodes. The real test for this system's overall viability, however, is editing and playback performance. In almost all respects, it seems like Blackmagic has added enough editing features to satisfy most casual and professional editors alike. First up is an in-depth look at Resolve 12's editing interface from Dave Andrade over at the Post Color Blog: And in order to learn it and see if it will meet my needs, I've taken to YouTube to find the best tutorials.Įven though the beta has only been out for a few weeks at this point, there are already some damn good tutorials showcasing both the editing and color correction prowess of the software. For that reason, I'm definitely thinking about adopting Resolve as my primary editing tool.

Like many of you, I'm extremely excited for that proposition, especially considering that I edit a lot less than I used to, and forking out Creative Cloud subscription fees month after month is starting to seem like a waste of money. When it's officially released later this summer (or early fall), Resolve will become the most fully featured NLE and color correction tool that you can get for free on any major operating system. A few weeks back, Blackmagic Design released the public beta for DaVinci Resolve 12.

Editing in davinci resolve 12